A Key Moment for Me This Year

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Two Pieces Above by Dieter Roth

A Key Moment this year for me was finding the work of Dieter Roth, a Swiss artist who is well know for his artist books. (Shown Above)

Throughout the start of this first year I really struggled with what I wanted to work towards for my final pieces and also what theme to go around for Outside/Inside. When I had realised I wanted to base my work around my thoughts and feelings finding the work of Dieter Roth really inspired me to create the pieces that I did. What I really enjoy about his artist books is that it is a visual diary. He uses words, diagrams and colour to create these pieces and I think is pieces are simple but quite beautiful. All of the colours together create a very welcoming look and the colours that bleed through the pages leave quite an interesting effect. Another aspect of these pieces that I really love is that each page is dated. This relates a lot more to my first final piece then my second as on the back of each card of my first final piece is the date I had completed it and also they are displayed in order of date like Roth’s work. I have used a similar technique to Roth’s pieces above by applying colour over my writing. Doing this on my own pieces has partly masked the writing which I think speaks very loudly to the point I’m trying to make about no one really knowing how anyone is thinking or feeling. You think you know but you never will know. This leaves quite an effective look I feel and gives the piece a layered look.

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Gerhard Richter

An artist that has inspired my first final piece for Outside/Inside is the work of Gerhard Richter. Whilst in London I visited the Tate Modern and was able to see a few of Richter’s paintings. Richter has created these abstract pieces by layering paint and then wiping over his canvas with a squeegee. Doing this drags the layers of paint and you are able to see the colours that were layered underneath. What I really enjoy about his paintings are the mixes of colours he uses.

Above are a collect of oil painting by Richter called ‘The Cage Paintings’. These paintings have many different textures as there are lines from where a squeegee has been dragged and paused on the paints surface, brush strokes and also areas where the oil paint has dried and created a rippled effect. There are also areas where the paint looks delicate and fluid. This collection of paintings are named after a musician called John Cage as Richter listened to Cage’s music whilst creating these pieces and wanted to name them after the composer. Richter has also been interested in Cage’s ideas around ambient sound and silence as well as his use of chance in musical composition.

I really like the idea of listening to music and creating a collection of work. Listening to the music and creating movements of sound in paint or pen or any material. I think this could be a really good idea for when I create my final outcomes. I can listen to the music and use colour to reflect the emotions I feel listening to the song/songs and how it makes me feel. I think the way that Richter works is something that I could possibly do for my first final piece which relates to Artist Trading Cards as it is relating to my thoughts and feelings.

Update:

When creating my first final piece I listened to a playlist of music I created which reminds me of when I was a young child and also being around my mum. Whilst being at uni I have found it quite hard being far from family and friends for months on end as I had only been away from home for a week or two before hand. For my first final piece I was inspired Richter and him listening to music and creating movement. For my work I have used music to express emotion when creating my Trading Cards. Below is a list of music I listened to each day I created one of my ATC’S. Each song I have a personal connection with as they are songs that make me feel a lot of different emotions both happy and sad.

 

Duran Duran – Ordinary World

Cher – Believe

Candi Staton – Young Heart Run Free

Eric Carmen – Hungry Eyes

Bill Medley & Jennifer Warnes – (I’ve Had) The Time Of My Life

Bryan Adams – Heaven

Luther Vandross – Never Too Much

Duran Duran – Girls on Film

Duran Duran – Hungry Like the Wolf

Natalie Imbruglia – Torn

Robbie Williams – Millenium

East 17 – Stay Another Day

Savage Garden – Truly Madly Deeply

Deep Blue Something – Breakfast at Tiffany’s

Robbie Williams – Angels

Fatboy Slim – Praise You

R. Kelly – The Worldest Greatest

Mario – Let Me Love You

Blur – Parklife

The Ronettes – Be My Baby

Athlete – Wires

Harry Belafonte – Jump In The Line

Seal – Kiss from a Rose

Travis – Why Does It Always Rain on Me?

Duran Duran – Rio

Fleetwood Mac – Go Your Own Way

Sum 41 – In Too Deep

R.E.M – Losing My Religion

TLC -Waterfalls

Phil Collins – In the Air Tonight

Kim Carnes – Bette Davis Eyes

Enya – Orinoco Flow

Bill Withers – Everybody’s Talkin’

The Rolling Stones – Sympathy for the Devil

Bryan Adams – I’m Ready

Randy Newman – You’ve Got a Friend in Me

Bee Gees – Stayin’ Alive

Bruce Channel – Hey Baby

Cher – If I Could Turn Back Time

Cher – The Shoop Shoop Song

Cher – It’s a Man’s Man’s Man’s World

Blondie – The Tide Is High

The Monkees – Daydream Believer

Oasis – Don’t Look Back In Anger

Oasis – Stop Crying Your Heart Out

Robbie Williams – Rock DJ

Fleetwood Mac – Albatross

Field Artist – Melanie Bowles

Melanie Bowles is a Textile Design artist who is one of the artists that have inspired me through the field project weeks.

I have chosen Bowles work as one of my main inspirations (as well as Kate  Gibb) during most of field her work has helpd lead me to the idea that I have for my Field Week Individual Final Piece.

One of the reason I have chosen Bowles work is of course the use of colour that she uses in her work. I really like the bright, luminous colours that she uses for her pieces as they give them a very cheerful and happy vibe. I also like how she uses them in different patterns wether it’s dott work or solid coloured shapes this technique helps to build on the layered effect.

For my Final Project Outcome for Field I want to create a layered design like this that will turn a flat surface into something quite three-dimensional when looking. I really like this idea as I enjoy that Bowles work is on a flat surface Material but it doesn’t look flat the pieces themselves have a layered depth to them and this is because of the colour placement and textures she has created.

Another asspect of Bowles work that I like that the background of the white Material is almost always covered but still has parts showing through. I think this is quite effective as it helps to give the pieces a busy look and also keep them bright. It also helps to make the design look less flat.

Field Collaborative Lab Projects Review

Looking back on all four field projects I feel as if I have learnt something from each one. The field project that I found I took the most knowledge from was the Light is Colour were. During this I started off by learning more above primary colours and which colours paired together. I found that this helped me with the rest of the project as I was able to identify which colours that would work well together for the screen printing process.

Screen Printing was also another technique I learnt quite a bit about. I learnt the basics of Screen Printing in A-Level when I did Textiles but within this week I had learnt how to create my own Silk screens using the equipment they had in the printing room and also about washing off screen printing and cleaning the paint off the screens.

For my Outside/Inside project I want to interperate Screen Printing with my final pieces as I think this could leave a very interest effect on top of the overlaying writing I have been doing and also will make the pieces more vibrant as I will be using a lot of colour.

Field Collaborative Lab Week 1

Silhouetted Still Lives

Field Collaborative Lab Week 2

Light is Colour

Field Collaborative Lab Week 3

Illuminated

Field Collaborative Lab Week 4

Panormic Pinhole Camera

 

 

Field Artist – Nancy A Breslin

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http://www.nancybreslin.com

Nancy A Breslin is a pinhole photographer I looked at during my final field project week. I decided to look at her work as she creates a variety of self portrait and landscape pieces. In my group we mainly focused on the landscape side of photography as there are quite a few woodland areas around uni.

What I really liked about Breslin’s work was the lower angle of her landscape pieces. What I like about this is that it gives the view a look at the photo in a different perspective as we alway see things from higher up its interesting so see how it looks from a lower angle. With the low angle image above, it also captures strands of the grass which I find gives a very interesting textural effect.

We tried to recreate this for our own pinhole photos and result turned out to be quite different. The main focus in our photos was the grass only as that was the only subject that was captured clearly. What I enjoy about Breslin;s work is that she was able to capture the whole of her surroundings which makes it more clear to see what she as the artist was seeing at that point.

Breslin’s self portrait photos I think are also very interesting. I really like how she has captured movement in the photo above by drinking her coffee whilst exposing the photo paper instead of staying very still. This blurred movement effect is a lot like the effect we captured when taking our own photographs which resemble the sky.

 

 

Field Collaborative Lab 4 – Panoramic Pinhole

For the fourth and final week of our collaborative field Projects with the Ceramic and Maker students, I took part in a pinhole camera project. During this project we were split into groups of three and had the task of creating our very own pinhole cameras. In my group we created three different cameras. One was made of a large Celebrations of which we used black paint to black out the inside so that no light was able to leak through and spoil the photo paper.  The second camera we made was a tin can pinhole camera which also needed black paint so that when used to expose light to photo paper, the light would not bounce of the metallic insides of the can. The last camera we made was out of a small film roll casing which did not need to be blacked out as the little capsule itself is already made to be black out.

The camera I found worked the best was the third camera which was the small film roll capsule. I think this went well as the capsule was already blacked out and had nonlight leaking through where as the others had to black out ourselves and the paint we used did not black out the can or sweet tub properly.

Above out the outcomes we got using all of the cameras that we made. As you are unable to see subject in these I think they make quite interesting abstract pieces as the shapes and different shades of black and grey leave a very interesting effect.

Also with these photos we edited them with a photo editing platform called Aurasma which I found quite hard to use. With this app (which you are able to download from the App Store onto your phone) you take a photo of the pinhole exposes after they had been developed and you are able to use a range of filters to change the intensity of the colours from the original pinhole photographto help make it easier to see what is in the photos. You are also able to create a link to an object or drawing using the camera which will automatically load up one of the pinhole photos when shown on your phone screen which I found to be very confusing.

These images above are photos of the edited pinhole photographs. I think that using this app has really helped to show what we were capturing with our handmade cameras. The top three photos were exposures of the sky and I think that this has picked up quite well after using the editing app as you can see the shapes of the clouds. The first photo on the bottom row is an exposure of a lamp post outside of uni with the sky in the background and the art building framing the bottom. I really like this photo as you are able to see the sun shining through just behind the lamp post and I think this leaves quite an interesting effect. The last two photographs on the bottom row are of the grass behind the school of art where we placed our camera on the floor in the grass a took an expose from a lower angle. After being edited you can see the different shapes the grass creates and I think this leaves a very interesting effect.

Overall I have really enjoyed this project. I was able to use the knowledge that I learnt from A-Level and Foundation when using Analog photography and also learn from the mistakes we made whilst making our own cameras and now have a better understanding of which materials work better and what I can do next time to make them better.

Field Artist – Anne Hardy

 

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http://anne-hardy.co.uk

Anne Hardy is a British artist who specialises in Photography, Sculptural Installation and Audio. I looked at Hardy’s work during my third week of field project and found her work to be quite helpful when looking at creating my own installation space with my group.

For my third week field project we had to create a ‘Triptych’ piece and we decided to create one video piece and the two others would be installation pieces.

Looking at Hardy’s work she uses a lot of detail and space to create her installations. We were inspired by the space of which she uses up to create her pieces and used encloses spaces like her to set up our installations. As we only had a week to create ours they were not to as much detail and thought as Hardy puts into hers but we tried to pay attention to detail the way she looks to have done in her own pieces for ours.

Our second part of the Triptych I think relates more to her work as it is a work area that represented each one of us in the group. We collected things we would typically have on our desk and we tried to collect things that would add quite a bit of detail to each one of our characters.

Since we only had an hour or so to create this, it was not as large scale as some of her work but we tried to create something that would reflect an installation that she would create.

I found Hardy’s work to have helped quite a bit with the process of creating our installation as it helped me to pay more attention to the finer details of what we could include in our own.