Gerhard Richter

An artist that has inspired my first final piece for Outside/Inside is the work of Gerhard Richter. Whilst in London I visited the Tate Modern and was able to see a few of Richter’s paintings. Richter has created these abstract pieces by layering paint and then wiping over his canvas with a squeegee. Doing this drags the layers of paint and you are able to see the colours that were layered underneath. What I really enjoy about his paintings are the mixes of colours he uses.

Above are a collect of oil painting by Richter called ‘The Cage Paintings’. These paintings have many different textures as there are lines from where a squeegee has been dragged and paused on the paints surface, brush strokes and also areas where the oil paint has dried and created a rippled effect. There are also areas where the paint looks delicate and fluid. This collection of paintings are named after a musician called John Cage as Richter listened to Cage’s music whilst creating these pieces and wanted to name them after the composer. Richter has also been interested in Cage’s ideas around ambient sound and silence as well as his use of chance in musical composition.

I really like the idea of listening to music and creating a collection of work. Listening to the music and creating movements of sound in paint or pen or any material. I think this could be a really good idea for when I create my final outcomes. I can listen to the music and use colour to reflect the emotions I feel listening to the song/songs and how it makes me feel. I think the way that Richter works is something that I could possibly do for my first final piece which relates to Artist Trading Cards as it is relating to my thoughts and feelings.

Update:

When creating my first final piece I listened to a playlist of music I created which reminds me of when I was a young child and also being around my mum. Whilst being at uni I have found it quite hard being far from family and friends for months on end as I had only been away from home for a week or two before hand. For my first final piece I was inspired Richter and him listening to music and creating movement. For my work I have used music to express emotion when creating my Trading Cards. Below is a list of music I listened to each day I created one of my ATC’S. Each song I have a personal connection with as they are songs that make me feel a lot of different emotions both happy and sad.

 

Duran Duran – Ordinary World

Cher – Believe

Candi Staton – Young Heart Run Free

Eric Carmen – Hungry Eyes

Bill Medley & Jennifer Warnes – (I’ve Had) The Time Of My Life

Bryan Adams – Heaven

Luther Vandross – Never Too Much

Duran Duran – Girls on Film

Duran Duran – Hungry Like the Wolf

Natalie Imbruglia – Torn

Robbie Williams – Millenium

East 17 – Stay Another Day

Savage Garden – Truly Madly Deeply

Deep Blue Something – Breakfast at Tiffany’s

Robbie Williams – Angels

Fatboy Slim – Praise You

R. Kelly – The Worldest Greatest

Mario – Let Me Love You

Blur – Parklife

The Ronettes – Be My Baby

Athlete – Wires

Harry Belafonte – Jump In The Line

Seal – Kiss from a Rose

Travis – Why Does It Always Rain on Me?

Duran Duran – Rio

Fleetwood Mac – Go Your Own Way

Sum 41 – In Too Deep

R.E.M – Losing My Religion

TLC -Waterfalls

Phil Collins – In the Air Tonight

Kim Carnes – Bette Davis Eyes

Enya – Orinoco Flow

Bill Withers – Everybody’s Talkin’

The Rolling Stones – Sympathy for the Devil

Bryan Adams – I’m Ready

Randy Newman – You’ve Got a Friend in Me

Bee Gees – Stayin’ Alive

Bruce Channel – Hey Baby

Cher – If I Could Turn Back Time

Cher – The Shoop Shoop Song

Cher – It’s a Man’s Man’s Man’s World

Blondie – The Tide Is High

The Monkees – Daydream Believer

Oasis – Don’t Look Back In Anger

Oasis – Stop Crying Your Heart Out

Robbie Williams – Rock DJ

Fleetwood Mac – Albatross

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Saatchi Gallery, Chelsea

On Monday 8th May I went to London to visit a few art galleries. One of the galleries I visited whilst in London was the Saatchi Gallery located in Chelsea. One of the reasons I wanted to visit the Saatchi was because the current exhibition there at the moment (‘From Selfie to Self-Expression’) that I had read about online really intrigued me and I also just wanted to check out other works they had for show there. On this visit I was able to see a lot of pieces which were interactive.

Daniel Rozin – Pom Pom Mirror (2015)

Christopher Baker – Hello World! Or: How I Stop Listening and Love the Noise (2008)

Juno Calypso – The Honeymoon Suite (2015)

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Daniel Rozin – Pom Pom Mirror (2015)

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One of the pieces that stood out to me was an interactive piece called ‘Pom Pom Mirror’ by Daniel Rozin. This piece is an electronically powered motion sensing mirror powered by 464 motors that shows your reflection using 948 Pom Pom’ s in the colours black and white. What I really like about this is Rozin’s question behind this piece.

Who is Controlling Whom?

Are we reacting to the technology or is the technology reacting to us? I really like the message behind us as it relates to my chosen theme for Constellation: Things Can Be Otherwise – I am a Cyborg. Obviously this piece of work is reacting to us as it is portraying our silhouette but is it also controlling us? By moving our arms around the the air above us and Golding different poses (as seen in the videos above) it is controlling us by subcontiously making us do weird arm motions and movements we wouldn’t normally do.

First Final Idea

For my first final piece I have begun to create a collection of small pieces. I wanted to continue my development on the Artist Trading Cards I had began to make towards the start of the year and create a collection of cards that can be displayed together in my final showcase.

The theme of these cards will be based around my thoughts and feelings. I plan to make one card everyday for one hundred and fifty days which will display my thoughts and how I felt on that day. This idea has come from Outside/ Inside as I wanted to be able to display everything that I think and feel for everyone to see but not really be able to see. Each card will be covered in writing but only few parts will be able to be read. The writing will be over lapped and jumbled together which I really like the idea of as I will be able to write my thoughts honestly without being anyone truly knowing what I’m writing about.

The theme of what I am talking about will be shown by what colours are on the card. I want to be able to reflect the mood and emotion of how I feel at the time of creating the card so I will be reflecting this through the use of colour. This will also help make each card unique as each day on the cards will be a mixture of bright and fluorescent colours for positive moods and happy emotions where as the dark and grey toned colours will reflect a more darker mood or unhappy emotion.

I also want to be able to layer the colours of paint on top of each other and between the writing to give a less flat effect.

 

 

Formative Assessment – March 2017

Week 1 – Silhouetted Still Lives

Week 2 – Light is Colour

Week 3 – Illuminated

Week 4 – Panoramic Pinhole Camera

Looking Back on the Four Weeks of Field

Week 1 Artist – Susan Anderson

Week 2 Artist – Kate Gibb

Week 3 Artist – Anne Hardy

Week 4 Artist – Nancy A Breslin

Final Field Outcome Artist – Melanie Bowles

Piet Mondrian

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Piet Mondrian was a Dutch painter that contributed to the De Stijl and Modern art movement and group. One of the reasons I am looking at Mondrian’s work is because I really enjoy the Artist work from this art movement and also because his work can be related to the ideas I have for my final piece for my field project about light.

Composition with Red, Blue and Yellow

What I really like about the piece above are the colours Mondrian have used. In all of Mondrian’s pieces that are similar to the one shown above the three primary colours (red, yellow and blue) are always included and are always the stronger, bolder colours that project from the surface more dominantly than the rest. This is quite an effective look and the thick and thin black framing around each colour is also another good way to help each colour jump out of you like an illusion. Having the colours be able to project without using a white background I find is quite impressive in my opinion. Using white in the background of a piece helps to highlight the intensity of the colour next to it as it is very bright but using very pale colours like the baby blue and lilac have created a very similar effect.

For my final piece for field I would like to create three or four A5 pieces that are based around block colours. The colours I want to use are red, yellow, blue and green. I have chosen these colours as they are all very bright and pigmented colours and the contrast of each I think will look really good as a collection. On top of the block colours I am planning to use light and objects to create shadows onto the paper and drawing them like one of the field projects I completed called ‘Silhouetted Still Lives’. After doing this I want to cut away from the paper and create gaps of which you can see the block colours through when layered on top of each other. I really like this idea and think it will work well. This relates to the field work as I am using light to create shadows and also because I am using different colours and light is colour.

 

 

Field Artist – Melanie Bowles

Melanie Bowles is a Textile Design artist who is one of the artists that have inspired me through the field project weeks.

I have chosen Bowles work as one of my main inspirations (as well as Kate  Gibb) during most of field her work has helpd lead me to the idea that I have for my Field Week Individual Final Piece.

One of the reason I have chosen Bowles work is of course the use of colour that she uses in her work. I really like the bright, luminous colours that she uses for her pieces as they give them a very cheerful and happy vibe. I also like how she uses them in different patterns wether it’s dott work or solid coloured shapes this technique helps to build on the layered effect.

For my Final Project Outcome for Field I want to create a layered design like this that will turn a flat surface into something quite three-dimensional when looking. I really like this idea as I enjoy that Bowles work is on a flat surface Material but it doesn’t look flat the pieces themselves have a layered depth to them and this is because of the colour placement and textures she has created.

Another asspect of Bowles work that I like that the background of the white Material is almost always covered but still has parts showing through. I think this is quite effective as it helps to give the pieces a busy look and also keep them bright. It also helps to make the design look less flat.

Field Collaborative Lab Projects Review

Looking back on all four field projects I feel as if I have learnt something from each one. The field project that I found I took the most knowledge from was the Light is Colour were. During this I started off by learning more above primary colours and which colours paired together. I found that this helped me with the rest of the project as I was able to identify which colours that would work well together for the screen printing process.

Screen Printing was also another technique I learnt quite a bit about. I learnt the basics of Screen Printing in A-Level when I did Textiles but within this week I had learnt how to create my own Silk screens using the equipment they had in the printing room and also about washing off screen printing and cleaning the paint off the screens.

For my Outside/Inside project I want to interperate Screen Printing with my final pieces as I think this could leave a very interest effect on top of the overlaying writing I have been doing and also will make the pieces more vibrant as I will be using a lot of colour.

Field Collaborative Lab Week 1

Silhouetted Still Lives

Field Collaborative Lab Week 2

Light is Colour

Field Collaborative Lab Week 3

Illuminated

Field Collaborative Lab Week 4

Panormic Pinhole Camera